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Man on the Run review – archival delve into Paul McCartney’s post-Beatles era is a welcome revisit
Entertainment•February 19, 2026 at 9:00 AMNational

Man on the Run review – archival delve into Paul McCartney’s post-Beatles era is a welcome revisit

By Peter Bradshaw•The Guardian Music

After the Fab Four fell and Wings took flight, McCartney embodied a strange, stylised sense of uncool, which would become bestselling success. A new documentary of old material memorialises his second comingAnother hefty legacy project for Paul McCartney, who acts as off-camera interviewee and executive producer in this documentary by Morgan Neville. Man on the Run is composed of archive film, photos and audio recordings of McCartney and his late wife, Linda, his children and others. Some of McCartney’s overlaid commentary seems to be new, and some pre-existing.The film tracks his tense, complicated, fruitful career from the endgame of the Beatles in 1969 to the definitive demise of his next band Wings in 1981, a few months after John Lennon’s death – although what exact psychological role Lennon’s life and death played in Wings’ beginning and end is not explicitly discussed. (The film does, once again, show us that startlingly strange and casual-seeming interview McCartney gave after Lennon’s shooting, his shock resulting in an apparently cold attitude – but what he may really have been thinking is something else not explored here in detail.) Continue reading...

After the Fab Four fell and Wings took flight, McCartney embodied a strange, stylised sense of uncool, which would become bestselling success. A new documentary of old material memorialises his second coming

Another hefty legacy project for Paul McCartney, who acts as off-camera interviewee and executive producer in this documentary by Morgan Neville. Man on the Run is composed of archive film, photos and audio recordings of McCartney and his late wife, Linda, his children and others. Some of McCartney’s overlaid commentary seems to be new, and some pre-existing.

The film tracks his tense, complicated, fruitful career from the endgame of the Beatles in 1969 to the definitive demise of his next band Wings in 1981, a few months after John Lennon’s death – although what exact psychological role Lennon’s life and death played in Wings’ beginning and end is not explicitly discussed. (The film does, once again, show us that startlingly strange and casual-seeming interview McCartney gave after Lennon’s shooting, his shock resulting in an apparently cold attitude – but what he may really have been thinking is something else not explored here in detail.)

Continue reading...

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