Mitski review – pop meets performance art in a masterful spectacle

By Lex McMenamin•The Guardian Music

The Shed, New York CityAt a six-night residency, the singer creates an immersive world filled with wry humor and big emotionsMitski was one of the great social media posters before the internet tried to swallow her whole. “I used to rebel by destroying myself, but realized that’s awfully convenient to the world,” went a 2016 tweet from the musician, who long ago nuked that account. “For some of us, our best revolt is self-preservation.”As her career has skyrocketed with multiple TikTok-powered streaming juggernauts following the 2018 viral hit Nobody, Mitski has gradually withdrawn from the public eye and declined most interviews. Over her last few albums, she has adopted a mode of performance that contrasts with the emotion of her lyrics: on the tour to support 2018’s Be the Cowboy, she used plain folding chairs and tables as props in a performance that felt almost robotic in its precision. Continue reading...

The Shed, New York City
At a six-night residency, the singer creates an immersive world filled with wry humor and big emotions

Mitski was one of the great social media posters before the internet tried to swallow her whole. “I used to rebel by destroying myself, but realized that’s awfully convenient to the world,” went a 2016 tweet from the musician, who long ago nuked that account. “For some of us, our best revolt is self-preservation.”

As her career has skyrocketed with multiple TikTok-powered streaming juggernauts following the 2018 viral hit Nobody, Mitski has gradually withdrawn from the public eye and declined most interviews. Over her last few albums, she has adopted a mode of performance that contrasts with the emotion of her lyrics: on the tour to support 2018’s Be the Cowboy, she used plain folding chairs and tables as props in a performance that felt almost robotic in its precision.

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