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FKA twigs review – an Olympian display of pop prowess
EntertainmentMusicMusic News•March 22, 2026 at 5:06 PMNational

FKA twigs review – an Olympian display of pop prowess

By Harry Tafoya•The Guardian Music

Madison Square Garden, New York CityThe British artist’s brilliantly ambitious first arena show is a breathtaking showcase of her artistic range, with pole dancing, vogue battles and sword fightingFrom time to time, photographs from FKA twigs’ stint as a backup dancer make the rounds on social media. In the early days, when her name recognition was secondary to the likes of Jessie J and Peter Andre, Tahliah Barnett would take to the stage and use her body and talent in service of someone else’s vision. The drama of being visible yet never being fully seen would become an important subtext to her work. Misrecognition from a lover, by the public, from the internet, provided powerful emotional stakes to her songwriting, which she complemented with ultra-tactile music that teased and staggered payoffs that went further than any expected beat.The most definite proof that she has become an undeniable star in her own right comes tonight, when she tears the house down on her first ever arena date at Madison Square Garden. “Did you truly see me?” the singer whispers from bed in the show opener, Mirrored Heart. The immediate, roaring response is at funny odds with her lament that follows: “No, not this time.” If anything, the evening proves again and again just how intensely she and her audience seem to recognize one another. For one thing, the crowd is styled in her image, in fulfilment of her wish from Home With You to “see a hero like me in a sci-fi”. From blocks away, you can follow the stream of make-do Rick Owens looks and be certain that you are headed toward FKA twigs’ location. Inside the arena, it feels like New York is doing its best approximation of a Berlin nightclub: an orgy of black tank-tops, Lucite pleaser heels and constellations of facial piercings that must be a nightmare for the people running the metal detectors. Continue reading...

Madison Square Garden, New York City

The British artist’s brilliantly ambitious first arena show is a breathtaking showcase of her artistic range, with pole dancing, vogue battles and sword fighting

From time to time, photographs from FKA twigs’ stint as a backup dancer make the rounds on social media. In the early days, when her name recognition was secondary to the likes of Jessie J and Peter Andre, Tahliah Barnett would take to the stage and use her body and talent in service of someone else’s vision. The drama of being visible yet never being fully seen would become an important subtext to her work. Misrecognition from a lover, by the public, from the internet, provided powerful emotional stakes to her songwriting, which she complemented with ultra-tactile music that teased and staggered payoffs that went further than any expected beat.

The most definite proof that she has become an undeniable star in her own right comes tonight, when she tears the house down on her first ever arena date at Madison Square Garden. “Did you truly see me?” the singer whispers from bed in the show opener, Mirrored Heart. The immediate, roaring response is at funny odds with her lament that follows: “No, not this time.” If anything, the evening proves again and again just how intensely she and her audience seem to recognize one another. For one thing, the crowd is styled in her image, in fulfilment of her wish from Home With You to “see a hero like me in a sci-fi”. From blocks away, you can follow the stream of make-do Rick Owens looks and be certain that you are headed toward FKA twigs’ location. Inside the arena, it feels like New York is doing its best approximation of a Berlin nightclub: an orgy of black tank-tops, Lucite pleaser heels and constellations of facial piercings that must be a nightmare for the people running the metal detectors.

Continue reading...

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