Empire Polo Club, Indio, California
With dazzling choreography and head-spinning set pieces, the Colombian star delivered a victorious statement of Latin pride
Late on the final night of Coachella’s first weekend, after more than a dozen songs, several glorious costume changes and some of the most luscious choreography ever seen in a headliner set, the Colombian superstar Karol G finally introduced herself in English: “I am Carolina Giraldo from Medellín, Colombia, and today, I am the first Latina woman to headline Coachella,” she said to deafening cheers from a crowd dotted with the flags of Mexico, Puerto Rico, Venezuela, Colombia and other Latin nations. “I’m very happy and very proud,” she added, but “at the same time, it feels late. There has been 27 years of this festival.” Both sincere and pointed, her remarks recalled Beyoncé in 2018, thanking the festival for allowing her to be the first Black woman to headline: “Ain’t that ’bout a b****?”
Beyoncé is quite the name to invoke – we may never again see a set as virtuosic and culturally significant as Beychella – but on Sunday night, Karol G sure made the case for her inclusion in the festival’s hall of fame. Seeming at once years in the making and effortless, her 90-minute set was, like Bad Bunny’s landmark headliner slot three years earlier, an exuberant statement of Latin pride and pan-American unity as well as the joys of absolutely lethal, ass-shaking music so relentlessly danceable I broke a sweat on the coldest night of the festival. From the minute she first appeared, luminous in a glittering gold bikini and flanked by an army of sinuous background dancers, her hip undulations visible to the naked eye from the back rows – “not even Nascar has these curves,” she boasts in saucy opener Latina Foreva – the fireworks literal and physical barely ceased. If it’s going to take 27 years, well, best throw an undeniable fiesta.
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