Blending minimalism, ambient and folk music in the former Czechoslovakia, the couple made pilgrim-like tours around Europe, beguiling everyone they met. Fans including the National’s Bryce Dessner explain their allure
The Czech duo Irena and Vojtěch Havlovi often seemed out of time. From the mid-80s, the married couple filtered minimalist composition, ambient and folk through baroque instruments, honing their craft in Prague’s churches and monasteries to create a mysterious combination of modernism and old European music against a communist backdrop. After the Velvet Revolution in 1989, the Havels’ unhurried music didn’t rush to match the new pace of capitalism in the country. Instead, they would tour Europe by rail and bus, describing themselves as “pilgrims who wander and play”, as Vojtěch said in a 2009 documentary directed by Vincent Moon. Whether playing their string instruments or minimalist piano etudes for four hands, the pair merged into a symbiotic life-form.
The couple saw themselves as acting in service of the music, “of this energy between us and the audience”, said Irena. “Something that can only be shared together, going through us, when the ego is a little asleep.”
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