OVO Hydro, Glasgow
The glam set design, gleaming brass and Motown moves are knowingly retro, but Dean’s performance is immediate, vulnerable and natural – the work of a singular artist
When the stage’s cream curtains pull back, Olivia Dean and band are already in full flow. Hands reaching out to the audience in welcome, she shimmies behind a silver mic stand in a floor-length candyfloss-pink dress, her band side-stepping on curved, softly carpeted risers. The swinging, sighing soul-pop single Nice to Each Other is bright with optimism for an on-off relationship, while soft-focus camera footage makes a collage out of gleaming trumpets, glamorous backing singers and Dean’s beaming face. With the air of old-fashioned music TV, it is knowingly retro and deeply romantic – everything you’d expect from the 27-year-old singer who is breathing fresh air into British soul.
On this opening night of two sold-out arena shows in Glasgow, ahead of six nights at London’s O2, Dean breezes through two more of her biggest songs as if it’s no big deal. Lady Lady, about moving out and growing up, is bassy and rich, while So Easy (To Fall in Love) is free, flirty and radiant: “This is a song to remind you that you’re fab,” she crows, now dancing at the stage’s footlights.
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