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Brown Wimpenny: Long Live Brown Wimpenny review | Jude Rogers' folk album of the month
EntertainmentMusicMusic News•June 12, 2026 at 8:30 AMNational

Brown Wimpenny: Long Live Brown Wimpenny review | Jude Rogers' folk album of the month

By Jude Rogers•The Guardian Music

(Broadside Hacks)Named after a 19th-century relative, this sprawling group foreground folk’s rough edges, but are best in the emotional, less showy momentsBrown Wimpenny arrive with a name suggesting the softness of a twee indie band, before you discover it belonged to a fourth great-uncle of banjo player Seth Lockwood, who emigrated from a West Yorkshire farm to the 19th-century US. Then you hear the exploratory, hour-long debut album of this sprawling young collective, formed in Sunday sessions in Lockwood’s Manchester living room. A band happy to show their music’s muddy roots, these expansive eight tracks nonetheless pulse with ambition.The album begins with a high-reaching medley, building from an atmospheric fiddle-led instrumental over a low cello drone. Dusty live production makes a feature of the music’s cracks and creaks, but when Lockwood’s athletic banjo takes the lead, it carries the rest of the group with arresting dynamism. Continue reading...

(Broadside Hacks)
Named after a 19th-century relative, this sprawling group foreground folk’s rough edges, but are best in the emotional, less showy moments

Brown Wimpenny arrive with a name suggesting the softness of a twee indie band, before you discover it belonged to a fourth great-uncle of banjo player Seth Lockwood, who emigrated from a West Yorkshire farm to the 19th-century US. Then you hear the exploratory, hour-long debut album of this sprawling young collective, formed in Sunday sessions in Lockwood’s Manchester living room. A band happy to show their music’s muddy roots, these expansive eight tracks nonetheless pulse with ambition.

The album begins with a high-reaching medley, building from an atmospheric fiddle-led instrumental over a low cello drone. Dusty live production makes a feature of the music’s cracks and creaks, but when Lockwood’s athletic banjo takes the lead, it carries the rest of the group with arresting dynamism.

Continue reading...

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