(Island)
On the Bradford-born producer’s self-assured second album, drum’n’bass rhythms power up angsty odes with shades of Arctic Monkeys, Kate Nash and myriad genres
Like another of the year’s biggest pop records, Olivia Rodrigo’s You Seem Pretty Sad for a Girl So in Love, the second full-length from the self-proclaimed “emotional junglist” Nia Archives is an album of two halves. The first documents its protagonist falling in love at breakneck speed; the second, the whiplash of sudden heartbreak. Unlike Rodrigo, Archives didn’t grow up starring on Disney Channel, a predestined route to success, but in Bradford, cutting her teeth on early 00s pirate radio, dancehall and landfill indie.
More than most major artists, Archives has carved out her own path. After leaving home at just 16 to move into a youth hostel in Manchester, she started teaching herself to make beats; eventually, she uprooted to Hackney and studied music production, and used her student loan to fund the promotion of her self-released debut single. Since then, she’s made history as the first electronic/dance act to win a Mobo in decades (after publicly campaigning for the inclusion of dance music at the awards in 2022). With her 2024 debut album Silence Is Loud, she became the first junglist to be nominated for three Brit awards, and the first to be nominated for the Mercury prize since 1997 – before she was born.
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