Alongside Bikini Kill and Bratmobile, Corin Tucker and Tracy Sawyer created a feminist punk vernacular that’s still inspiring the likes of Olivia Rodrigo. They recall the clarity and conviction of their historic teenage exploits
Back in June, a cut-and-paste photocopied flyer began appearing on telegraph poles around Portland, Oregon, promoting a DIY show by an apparently defunct band at an intimate community space. The band hadn’t mentioned it online, but hopeful fans bought every ticket anyway. Their bet paid off: the gig really was the first in 32 years for Heavens to Betsy, the pioneering feminist punk duo of drummer Tracy Sawyer and singer-guitarist Corin Tucker – the latter’s band before Sleater-Kinney unleashed her visceral vibrato unto the world. Tucker proudly made the flyer herself.
Heavens to Betsy were barely out of high school when they played their very first show, 35 years ago this week, in Olympia, Washington, a two-song set as part of a now-mythical indie fest dubbed the International Pop Underground Convention. The festival also featured the likes of Fugazi, Bikini Kill and Melvins; meanwhile Heavens to Betsy had practised only a couple times. Before an audience of about 100, Sawyer was so terrified that all she could think was, “This has to be over soon.”
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