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Tomeka Reid: Dance! Skip! Hop! review – an early contender for jazz album of the year
Music News•February 27, 2026 at 8:30 AMNational

Tomeka Reid: Dance! Skip! Hop! review – an early contender for jazz album of the year

By John Fordham•The Guardian Music

(Out of Your Head)The cellist reunites with guitarist Mary Halvorson, bassist Jason Roebke and drummer Tomas Fujiwara for five stunning tracks that are boundary-pushing yet populistUS cellist and composer Tomeka Reid and her frequent guitar soulmate Mary Halvorson have collected so many compliments for their jazzily genre-loose innovations over the past decade and a half, that they don’t need to waste a moment proving anything to anybody. These two fearless musicians have played alongside the tough, cerebral Anthony Braxton, and Reid has been part of that great Chicago avant-jazz institution, the Association for the Advancement of Creative Musicians (AACM). But if they ever considered extending a conciliatory hand to the jazz-averse, it might sound like this entrancing and aptly named set.This is the fourth release by Reid’s quartet featuring Halvorson, bassist Jason Roebke and drummer Tomas Fujiwara. Over five tracks and almost 50 minutes, they race and cruise through jiving swingers, fast brush-shuffles, Latin-jazzy harmonies, hip-hoppish fuzz-guitar burn-ups, and sensuous acoustic-cello reveries. Continue reading...

(Out of Your Head)
The cellist reunites with guitarist Mary Halvorson, bassist Jason Roebke and drummer Tomas Fujiwara for five stunning tracks that are boundary-pushing yet populist

US cellist and composer Tomeka Reid and her frequent guitar soulmate Mary Halvorson have collected so many compliments for their jazzily genre-loose innovations over the past decade and a half, that they don’t need to waste a moment proving anything to anybody. These two fearless musicians have played alongside the tough, cerebral Anthony Braxton, and Reid has been part of that great Chicago avant-jazz institution, the Association for the Advancement of Creative Musicians (AACM). But if they ever considered extending a conciliatory hand to the jazz-averse, it might sound like this entrancing and aptly named set.

This is the fourth release by Reid’s quartet featuring Halvorson, bassist Jason Roebke and drummer Tomas Fujiwara. Over five tracks and almost 50 minutes, they race and cruise through jiving swingers, fast brush-shuffles, Latin-jazzy harmonies, hip-hoppish fuzz-guitar burn-ups, and sensuous acoustic-cello reveries.

Continue reading...

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