(Sub Pop)
Lillie West’s fourth album is a hazy, mid-tempo meditation on escape that gets stuck in a numbing mid-tempo mode – though there is a gorgeous moment of release
Over fidgety, impatient keys, Lala Lala – UK-born, US-based Lillie West – declares her intention to leave. “Get me out of America,” she whispers, frustrated, on opener Car Anymore. Yet West’s fourth album (and first for Sub Pop) is about stillness – or trying to fight the urge to run.
After darting between Chicago, New Mexico, Reykjavík and London, West found love in Los Angeles and started to put down roots. But Heaven 2 (produced by Jay Som’s Melina Duterte) is shrouded in uncertainty, with cloaks of reverb, and lyrics buried beneath breathy deflection. Scammer toys with the romantic tension of threatening to split town, over an austere soundscape of purring synths and crisp snare, while Anywave battles a crisis of self – “If I existed, I don’t any more” – across bleary sirens and a spinning drum machine, like a nihilist sibling to Lorde’s Melodrama.
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