With a sound inspired by the San Francisco tech boom, the hyperpop musician is entering the big leagues, and a slot on Charli xcx’s tour. First she needs to get over her own shyness – not to mention a fear of love songs
The life of a rising pop star: One day, you’re performing your own song with Charli xcx, her dancers emulating your choreography, an arena’s worth of fans screaming along. The next, you’re on a surgery table, with a healthcare professional yanking four superfluous teeth out of your mouth. Even pop stars need emergency dental work sometimes.
It’s all par for the course for April Grey, the San Francisco-born, Chicago-based musician who records as Underscores. Her 2026 has been, plainly, wild: her third album, U, released in March, was met with acclaim and attracted a small army of new fans. Many of the shows on her tour in support of U, earlier this year, were upgraded due to demand, and one expects the bump she’ll get from her current run supporting Charli xcx’s Music, Fashion, Film tour will push her into even bigger rooms. It’s a blow-up befitting the level of ambition Grey put into U, which is a taut, compulsively listenable pop record that sounds like a mid-2000s Now That’s What I Call Music! compilation as recreated by Aphex Twin. “As I was making it, it felt like a very big swing for the fences,” she says. “I wanted it to be big.”
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