‘Would you breastfeed your own father?’ The goofy, spiky world of art-pop duo Charlotte Adigéry and Bolis Pupul

By Lanre Bakare•The Guardian Music

After wittily blending pop and politics on their debut, the Belgians are now processing their personal lives. We join them for a mindbending tour of their home city of GhentBoris Kor Tom Zeebroek is staring up at a grey gothic building in the centre of Ghent, squinting through the late September sun that is covering his home town in a cloak of unseasonal warmth.Zeebroek is encouraging his bandmate Charlotte Adigéry and I to crane our necks towards the Mammelokker, an 18th-century Flemish relief on the top of the building. It’s a gruesome bit of stone, which sits above the town square and depicts a daughter suckling her own father. The pair are taking me on a tour of their medieval home town, and this disturbing architectural decoration is part of our itinerary. Continue reading...

After wittily blending pop and politics on their debut, the Belgians are now processing their personal lives. We join them for a mindbending tour of their home city of Ghent

Boris Kor Tom Zeebroek is staring up at a grey gothic building in the centre of Ghent, squinting through the late September sun that is covering his home town in a cloak of unseasonal warmth.

Zeebroek is encouraging his bandmate Charlotte Adigéry and I to crane our necks towards the Mammelokker, an 18th-century Flemish relief on the top of the building. It’s a gruesome bit of stone, which sits above the town square and depicts a daughter suckling her own father. The pair are taking me on a tour of their medieval home town, and this disturbing architectural decoration is part of our itinerary.

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